Logo

Audiovisual production courses in the UK

Take control of your broadcast every day

globalmux teaches broadcast studio design, camera control systems, professional lighting and sound engineering, so television networks and live event crews deliver flawless shows.

Black British woman broadcast director wearing a headset in a television control room
  • Studio design
  • Camera control
  • Lighting
  • Sound engineering
  • Live workflows

Featured courses

Choose a course built around your control room

Small-group, hands-on programmes led by working broadcast professionals. Current intake prices are shown below.

Bearded British man in glasses smiling in a modern television studio

Broadcast Studio Design Essentials

Daniel Hargreave, Head of Studio Design

  • Set build
  • Acoustics
  • Gallery
£690£890-22%
Enquire about this course

Next intake: September 2026

Smiling Black British woman standing next to a professional broadcast camera

Camera Control & Shading Masterclass

Amara Okafor, Camera Systems Lead

  • CCU / RCP
  • Shading
  • Robotics
£540£720-25%
Enquire about this course

Next intake: October 2026

Mixed-race British man live events director with radio earpiece backstage

Live Event Production Workflow

Callum Reid, Live Events Director

  • Multi-camera
  • Comms
  • OB
£820£1,090-25%
Enquire about this course

Next intake: November 2026

Curriculum

Six modules that cover the whole production chain

Take them as a full programme or pick the modules your crew needs most. Every module ends with a practical assessment on live kit.

  1. 1

    Broadcast studio design

    Floor plans, acoustics, set build, cable routing and gallery layouts for television networks.

  2. 2

    Camera control systems

    Shading, CCU and RCP operation, camera matching and robotic camera workflows.

  3. 3

    Professional lighting

    Key, fill and back light, LED fixtures, DMX control and colour temperature for any set.

  4. 4

    Sound engineering

    Microphone technique, mixing consoles, talkback, IFB feeds and loudness compliance.

  5. 5

    Streamlined workflows

    Signal routing, SDI and IP, rundowns and clean handovers between crews and shifts.

  6. 6

    Live events

    Multi-camera shoots, outside broadcast, redundancy planning and show calling.

Our tutors

Learn from people who run live television

Every tutor works in broadcast today, so you train on the same kit, signals and schedules you will meet on the job.

Bearded British man in glasses smiling in a modern television studio

Daniel Hargreave

Head of Studio Design

Smiling Black British woman standing next to a professional broadcast camera

Amara Okafor

Camera Systems Lead

South Asian British woman lighting director holding a tablet under studio lights

Priya Raman

Lighting Director

Young white British man sound engineer wearing headphones at a mixing desk

Oliver Bennett

Chief Sound Engineer

Red-haired Scottish woman workflow producer holding a clipboard in a gallery

Fiona McAllister

Workflow Producer

Mixed-race British man live events director with radio earpiece backstage

Callum Reid

Live Events Director

Next intake open now

Ready to raise your production standard?

We make things easy for your production team

  1. 1

    Enquire

    Tell us about your crew, studio and goals through our contact form.

  2. 2

    Plan

    We shape a programme and agree dates that fit your production calendar.

  3. 3

    Train

    Learn hands-on with working kit, real signals and experienced tutors.

  4. 4

    Deliver

    Take your new workflows to air with follow-up support from our team.

Live concert broadcast with camera crane and stage lighting
Limited places

Live Event Masterclass

Three days running a multi-camera show from rehearsal to transmission, with fail-over drills and a full crew debrief.

£820£1,090-25%Enquire now

Why train with us

Gain real insight into how great productions run

With practical sessions on working equipment, your team leaves with skills it can use on the next show.

Studios that work

Layouts, sets and galleries designed around how crews actually move on air.

Matched cameras

Consistent shading and reliable remote control across every shot and every shift.

Flattering light

Lighting arrangements that look great on camera and stay efficient on power.

Clean, compliant sound

Clear dialogue, tidy comms and mixes that meet broadcast loudness standards.

Smoother workflows

Fewer handover errors with documented signal paths, rundowns and checklists.

Confident live shows

Rehearsed fail-over and calling practice so live events never lose their rhythm.

Get course dates and early-booking offers

One short email when new intakes open. Unsubscribe at any time.