Broadcast Studio Design Essentials
Daniel Hargreave, Head of Studio Design
- Set build
- Acoustics
- Gallery
Next intake: September 2026
Audiovisual production courses in the UK
globalmux teaches broadcast studio design, camera control systems, professional lighting and sound engineering, so television networks and live event crews deliver flawless shows.
Featured courses
Small-group, hands-on programmes led by working broadcast professionals. Current intake prices are shown below.
Daniel Hargreave, Head of Studio Design
Next intake: September 2026
Amara Okafor, Camera Systems Lead
Next intake: October 2026
Callum Reid, Live Events Director
Next intake: November 2026
Curriculum
Take them as a full programme or pick the modules your crew needs most. Every module ends with a practical assessment on live kit.
Floor plans, acoustics, set build, cable routing and gallery layouts for television networks.
Shading, CCU and RCP operation, camera matching and robotic camera workflows.
Key, fill and back light, LED fixtures, DMX control and colour temperature for any set.
Microphone technique, mixing consoles, talkback, IFB feeds and loudness compliance.
Signal routing, SDI and IP, rundowns and clean handovers between crews and shifts.
Multi-camera shoots, outside broadcast, redundancy planning and show calling.
Our tutors
Every tutor works in broadcast today, so you train on the same kit, signals and schedules you will meet on the job.
Head of Studio Design
Camera Systems Lead
Lighting Director
Chief Sound Engineer
Workflow Producer
Live Events Director
Next intake open now
Tell us about your crew, studio and goals through our contact form.
We shape a programme and agree dates that fit your production calendar.
Learn hands-on with working kit, real signals and experienced tutors.
Take your new workflows to air with follow-up support from our team.
Three days running a multi-camera show from rehearsal to transmission, with fail-over drills and a full crew debrief.
Why train with us
With practical sessions on working equipment, your team leaves with skills it can use on the next show.
Layouts, sets and galleries designed around how crews actually move on air.
Consistent shading and reliable remote control across every shot and every shift.
Lighting arrangements that look great on camera and stay efficient on power.
Clear dialogue, tidy comms and mixes that meet broadcast loudness standards.
Fewer handover errors with documented signal paths, rundowns and checklists.
Rehearsed fail-over and calling practice so live events never lose their rhythm.
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